Archive for January, 2008

Religion by Satellite

January 6th, 2008

[Image: The Crucifixion as seen via Google Earth; by The Glue Society].

Australian artists The Glue Society have put together a series of altered satellite views showing what certain Biblical events would have looked like if seen via Google Earth.
Above, for instance, is the Crucifixion.
Below, we see Moses parting the Red Sea; Adam and Eve sunbathing nude in the Garden of Eden; and Noah’s Ark stranded on a dry spit of land amidst Flood waters.
By the way, whatever happened to the CIA’s search for Noah’s Ark…?

[Image: Biblical scenes as seen via Google Earth; by The Glue Society].

According to the Creative Review – where this project was first spotted – the artists are now “aiming to produce further works using the same satellite imagery next year but this time relating to mythological occurrences and major historical events.”
Personally, I can’t wait; the idea is genius.

(Spotted on the Creative Review, with big thanks to Michael G.!)

Originally by Geoff Manaugh from BLDGBLOG

Posted by v on January 6th, 2008

City’s First Bike Share Planned for Governors Island

January 6th, 2008

gov_island.jpg

It ain’t the Velib, but yesterday it was announced that Dutch team West 8 would design a 40-acre park for Governors Island, which will include a fleet of 3,000 wooden bicycles free for use by island visitors.

The Times reports:

The design, commissioned by the Governors Island Preservation and Education Corporation, calls for transforming much of the flat, sober island, which is roughly a half-mile from Lower Manhattan, into green space. That includes a two-mile promenade at the water’s edge, a new park on the southern flat expanse of landfill - where abandoned Coast Guard buildings are to be demolished - and an improved park in the island’s northern historic district. The architects proposed using the detritus from the buildings that are to be destroyed to form hills that would exploit the island’s views, which include the Statue of Liberty.

The Post, which says the Governors Island Gondola could also become reality, had a somewhat dispiriting quote from Mayor Bloomberg on the bike share feature, particularly when juxtaposed with designer Adriaan Geuze’s comments.

Adriaan Geuze, founder of West 8, said the company’s Dutch background made including bicycles in the plan a no-brainer.

"I am from Holland, where bicycles are an important part of street life, and everybody bikes," he said. "You could never walk the entire island, but the bikes will help get people to experience more of the island and go anywhere they want to."

Bloomberg said he was particularly impressed by the bike theme, joking "it’s a great idea; you don’t have to worry about them being stolen" because "you can’t take them anyplace" off the island.

The Times says the park is expected to be completed by 2012.


Rendering: West 8/Rogers Marvel Architects/Diller Scofidio + Renfro/Quennell Rothschild/SMWM

Originally posted by Brad Aaron from Streetsblog, ReBlogged by Steve on Dec 22, 2007 at 10:05 AM

Originally by Brad Aaron from Eyebeam reBlog on December 22, 2007, 7:05am

Posted by v on January 6th, 2008

Disney’s Highway to Hell

January 6th, 2008

 
This scarifying nine-minute peek into an auto-enslaved Disney world of the future, as seen from 1958, is as amazing for what it gets right (like urban sprawl) as much as what is laughably off the mark (like urban sprawl = Utopia).

Notice how skinny everyone is, though no one ever walks (except dad, from his car elevator to his desk). And dig that Sun-Powered Electro-Suspension Car — still right around the corner!

Addendum: Here’s another look at what the future might have looked like as this cartoon was being produced. 

Video from YouTube via Polls Boutique

Originally posted by Brad Aaron from Streetsblog, ReBlogged by Steve on Dec 22, 2007 at 10:05 AM

Originally by Brad Aaron from Eyebeam reBlog on December 22, 2007, 7:05am

Posted by v on January 6th, 2008

The Colcha Project

January 6th, 2008

doris.jpg

The Colcha Project by Doris Cacoilo, a study in crochet, code and community.

col - cha (koal-sha) noun. Portuguese word meaning bedspread. An outer covering, usually decorative, for a bed.

Friday, Dec 21 6-9pm
Martin E. Segal Theatre
The CUNY Graduate Center
365 Fifth Avenue Between 34th and 35th Streets
New York City Subway: B, D, F, N, R, 6, Q

Originally by cat from microRevolt reBlog on December 18, 2007, 8:24pm

Posted by v on January 6th, 2008

Ivin Ballen: Constructing the Readymade

January 6th, 2008

reBlogged via ArtCal, The Zine:

Ivin Ballen, 50/50 at Winkelman Gallery
      
            
Ivin Ballen, Untitled (cubes)
Ivin Ballen, Untitled (Cubes), 2007, Fiberglass, aqua resin, acrylic,
27 x 27 x 4 inches.
Courtesy Winkelman Gallery.

50/50
Ivin Ballen
Winkelman Gallery - 637 W. 27 St., New York NY

29 November 7008 - 5 January 2008

The more modest materials of artistic practice occasionally come
under the purview of the artist and are elevated to the status of art.
In the 70s, when Rauschenberg was short on materials, having just moved
from New York to a small island near Florida, he looked around his
studio and saw the clutter of packing supplies and other detritus. He
took immediately to what was at hand, and the Cardboards, a series of works made from simple cardboard boxes, were born.

New York artist Ivin Ballen was also struck with a similar
revelation: while transporting several of his earlier works across
country, he looked in the back of his car and found the works, wrapped
in plastic and cardboard, transformed.

Ballen set about investigating this new vision, and while his
paintings are immediately reminiscent of those shocking Duchampian
works of Raschenberg, they are anything but ready-made. Ballen’s
process involves building a maquette from humble materials, casting
them in fiberglass or resin, and painting them with trump l’oeil finish.

At first glance the effect is convincing, and without close scrutiny
the objects appear to resemble so much contemporary art (see:
Unmonumental at The New Museum) with their wacky assemblage
construction. Upon inspection the paintings reveal elements of their
process. "Tape" impresses rather than exudes, depths become
protrusions, and the whole is a negative of its model. This reversal is
characteristic of Ballen’s work—here the ready-made is actually the
constructed—and more Étant Donnés than Fountain.

Ballen
has an loving relationship with the mimetic properties of his objects
but isn’t content to merely copy the surfaces of his models. Grape Mine,
a vaguely H-shaped work, has a perspectival painting of two crossing L
beams on one of its barrel shaped protrusions. The image raises the
epistemic question of which representation is closer to reality: that
of the painted beams, or the sculptural elements that imitate the
objects from which they are cast.

Both are an illusion, of course, but Ballen deftly suspends his
paintings in the interplay between the reality of the object and its
image. These works may be anything but ready-made, but they represent
the ready-made by quotation. They function as a comment on the
tradition of appropriation; do we really perceive the object (a urinal)
or do we see the veneer (Fountain), which is art?

Further fluctuating this distinction, is the work Speakers (2-way).
This sound hybrid piece produces a sort of feed-back loop, which grabs
sounds from outside, themselves a sort of ready made, and projects them
into the gallery space to a transformative effect. The music alters the
environment of the gallery, which in turn alters the work.

The alteration that Ballen first saw, that of his art transformed by
packaging, is a reminder that what masks a thing may be more powerful
than what is beneath. 50/50 is a show that examines the porous
boundary between perception and artifice, producing a number of
fine distinctions along the way.

Originally by joy garnett from NEWSgrist - where spin is art

Posted by v on January 6th, 2008

Only Re-connect

January 6th, 2008

16craft4501

Thomas Hannich. Crocheted laptop by Joana Vasconcelos.

via NYTimes:

Handmade 2.0
By ROB WALKER (AKA murketing )
Published: December 16, 2007

The declaration from something called the Handmade Consortium materialized on a Web site called
buyhandmade.org in late
October. “I pledge to buy handmade this holiday season, and request
that others do the same for me,” it said, and you could type in your
name to “sign” on; within a few weeks, more than 6,500 people had done
so. “Buying handmade is better for people,” a statement on the site
read in part, and “better for the environment,” because mass production
is a “major cause” of global warming, among other things. There were links to an anti-sweatshop site and a Wal-Mart watchdog site.

The pledge echoed the idealistic language of a tree-hugger activist
group, but actually the consortium’s most prominent member was the
online shopping bazaar Etsy, a very much for-profit entity that bills
itself as “your place to buy & sell all things handmade.” Etsy does
not fulfill orders from an inventory; it’s a place where sellers set up
virtual storefronts, giving the site a cut of sales. While eBay rose to
prominence nearly a decade ago as an endless garage sale for the
auctioning of collectibles and bric-a-brac, Etsy is more of an online
craft fair, or art show, where the idea is that individuals can sell
things that they have made. How many such people can there be? At last
count, more than 70,000 — about 90 percent of whom were women — were
using Etsy to peddle their jewelry, art, toys, clothes, dishware,
stationery, zines and a variety of objects from the mundane to the
highly idiosyncratic. Each seller has a profile page telling shoppers a
bit about themselves, and maybe offering a link to a blog or a MySpace page or a mailing list; most have devised some clever store or brand name for whatever they’re selling.

Maybe
you’re interested in a “random music generator” called the Orb of Sound
($80), built by an Australian tinkerer calling himself RareBeasts. Or a
whistle made out of a tin can and bottle caps ($12), by loranscruggs,
near Seattle. Or the “hand-painted antique ceramic doll-head planters”
sold under the name Clayflower22 by a retired schoolteacher near Las
Cruces, N.M. Or the “Kaleidoscope Pearberry Soapsicle” ($5), made by a
woman in Daytona Beach, Fla., who calls her shop Simply Soaps. Or a
porcelain bowl with an image of a skull on it, from a Chicago couple
who call themselves Circa Ceramics. Or an original painting from an
artist in Athens, Ga., who goes by the moniker the Black Apple.

Browsing
Etsy is both exhilarating and exhausting. There is enough here to mount
an astonishing museum exhibition. There is also plenty of junk. Most of
all there is a dizzying amount of stuff, and it is similarly
difficult to figure out how to characterize what it all represents: an
art movement, a craft phenomenon or shopping trend. Whatever this is,
it’s not something that Etsy created but rather something that it is
trying to make bigger, more visible and more accessible — partly by
mixing high-minded ideas about consumer responsibility with the
unsentimental notion of the profit motive.

On July 29, Etsy registered its one-millionth sale and is expecting to hit
two million items sold by mid-December. Shoppers spent $4.3 million buying
300,000 items from the site’s sellers in November alone — a 43 percent
increase over the previous month. Thus far in December, the site has had record-breaking
sales every day. Only about two years old, the company is not currently profitable
but is somewhat unusual among Internet-based start-ups of the so-called Web
2.0 era in having a model that does not depend on advertising revenue. It depends
on people buying things, in a manner that the founders position as a throwback
to the way consumption ought to be: individuals buying from other individuals. “Our
ties to the local and human sources of our goods have been lost,” the
Handmade Pledge site asserts. “Buying handmade helps us reconnect.” The
idea is a digital-age version of artisanal culture — that the future of
shopping is all about the past. [read on…]

See also (via murketing):

Handmade 2.0: Links of interest

Originally by joy garnett from NEWSgrist - where spin is art

Posted by v on January 6th, 2008